Elsa Morante was an Italian novelist, short-story writer, and poet known for the epic and mythical quality of her works, which usually centre upon the struggles of the young in coming to terms with the world of adulthood.
Morante early exhibited literary talent, and, although her formal education remained incomplete, her marriage to the novelist Alberto Moravia brought her for a time into association with the leading Italian writers of the day. However, she remained largely outside the Neorealism movement within which many of these writers worked. Her first novel, Menzogna e sortilegio (1948; House of Liars), recounts the complex history of a southern Italian family through the memory and imagination of a young woman. Morante’s next novel, L’isola di Arturo (1957; Arturo’s Island), examines a boy’s growth from childhood dreams to the painful disillusions of adulthood. This novel, for which she won the Strega Prize, is notable for its delicate lyricism and its mingling of realistic detail with an air of unreality; it is often compared to Moravia’s Agostino (1944; Two Adolescents), another tale of adolescent initiation.
The novel La storia (1974; History: A Novel) met with mixed critical reaction, but it achieved commercial success. Set primarily in Rome between 1941 and 1947, its focus is the arduous existence of a simple, half-Jewish elementary school teacher and her young son, Useppe, born after she is raped by a German soldier. The story reaffirms the author’s passionately held ideology, which is tinged with anarchism, denies any possibility of humane politics, and, with Useppe’s death, apparently excludes any final hope for humanity. Morante’s final novel, Aracoeli (1982; Eng. trans. Aracoeli), recounts a trip taken by its troubled protagonist to Spain, where he attempts to recapture his lost childhood and uncover his mother’s past. Like History, Aracoeli was not universally acclaimed by critics, but it serves as a summation of many currents in Morante’s work.